Multilingual Theatre Workshops

If I had not seen Nikolaj Karpov’s work the summer of my first year at the National Academy, I would never have thought it could work. Acting in several languages seemed to me just too chaotic from a practical point of view. I must thank that first experience for opening my eyes to the real potential of multilingualism in theatre workshops. It is an inexhaustible source of sensory, emotional and expressive insights that I have experienced as an actress and that I continue to explore with my groups as a trainer.